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Painter of Nicosia Olpe
The painter of Nicosia Olpe was producing work around 575 B.C.E to 475 B.C.E, and these dates are concluded from the vases that are found and attributed to the specific painter . All of the pieces that were found and attributed to the painter of Nicosia Olpe are black figure, and this can also be determined by the dates. The majority of vases that the Painter of Nicosia painted were larger pieces, this is not something that he had control over; but he did have control over the scenes on the vases.〔(Beazley Archive )〕
== Works ==
There are forty-five vases that are attributed to the Painter of Nicosia Olpe that are recorded and posted on the Beazley Archive. Out of those forty-five vases more than half of the vases are larger vase shapes such as: amphora, amphora B, neck amphora, skyphos and more. These large vases were found mostly in Italy, which means that most of the vases that the painter and workshop were producing were for Italian consumers of the time. Twelve of the forty-five vases where found in different parts of Italy such as Etruria, Capua, Nola, Taranto and South Italy as well. With the number of vases going to Italy one can conclude that there is a great need for large vases in Italy. Once again the size of the vase is not up to the painter, the content on the vase is what that painter determines. There are a greater number of larger vases being produced by the workshop, which means that the painter is able to draw and paint larger scenes of his choice. In this case the painter chose to mainly focus on departure scenes, and scenes of the God Dionysus with maenads and satyrs. There are two types of departure scenes that include horsemen or a chariot, however the both of the types have youths and women.〔Paralipomena〕
抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』
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